POEM · PERMANENT EDITION
Mirza Ghalib جب بہ تقریب سفر یار نے محمل باندھا Jab ba taqreeb-e-safar yaar ne mahmil baandha ●sher 1 of 4

جب بہ تقریبِ سفر یار نے محمل باندھا

Jab ba taqreeb-e-safar yaar ne mahmil baandha

تپشِ شوق نے ہر ذرّے پہ اک دل باندھا

Tapish-e-shauq ne har zarre pe ik dil baandha

When, for the occasion of travel, the beloved tied the litter,
The fervor of passion tied a heart to every atom.

اہل بینش نے بہ حیرت کدۂ شوخیِ ناز

Ahl-e-bainish ne ba hairat kada-e-shokhi-e-naaz

جوہرِ آئینہ کو طوطیِ بسمل باندھا

Jauhar-e-aaina ko tooti-e-bismil baandha

The wise, in the wonder-house of coquetry's charm,
Tied the essence of the mirror as a slaughtered parrot.

یاس و امید نے اک عرَبدہ میداں مانگا

Yaas-o-ummeed ne ik arabda maidaan maanga

عجزِ ہمت نے طِلِسمِ دلِ سائل باندھا

A'jiz-e-himmat ne tilism-e-dil-e-saail baandha

Despair and hope demanded a field for conflict.
The feebleness of courage tied the enchantment of the petitioner's heart.

نہ بندھے تِشنگیِ ذوق کے مضموں، غالبؔ

Na bandhe tishnagi-e-zauq ke mazmoon, Ghalib!

گرچہ دل کھول کے دریا کو بھی ساحل باندھا

Garche dil khol ke darya ko bhi saahil baandha

The themes of the thirst for taste (or longing), Ghalib, could not be tied (constrained),
Even though, with an open heart, a shore was tied to the river.

Context

This ghazal, attributed to Ghalib, delves into the profound intensity and uncontainable nature of human emotion and artistic yearning. It uses complex metaphors to explore the overwhelming power of longing (tashish-e shauq), the struggle between hope and despair (yaas o ummeed), and the ultimate futility of trying to confine boundless desires (tishnagi-e zauq), even when attempting to bind a river to its shore. The poem showcases Ghalib's characteristic intellectual depth and intricate imagery in expressing the ineffable aspects of love and existence.

love & longing (ishq, judāī) · wonder & existence

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