مانع دشت نوردی کوئی تدبیر نہیں
ایک چکّر ہے مرے پاؤں میں زنجیر نہیں
No plan can prevent my wandering in the desert;
A restless urge is in my foot, not a chain.
No plan can prevent my wandering in the desert;
A restless urge is in my foot, not a chain.
Passion makes me run in that desert, where
The path is nought but the gaze of a painted eye.
The yearning for the pleasure of torment lingers,
The path of loyalty is nought but a sword's sharp edge.
Let the grief of eternal despair be bearable,
I am content if my lament yields to no influence.
He scratches his head where his head-wound would heal;
The pleasure of the stone is beyond speech.
The mirror hides its trap in greenery in vain,
For the fairy-born gaze cannot be subdued.
Like a flower, my wound is twin to the spear;
Your quiver alone is not pregnant with arrows.
When grace permits audacity and insolence,
There is no fault except the shame of the fault.
What shall I say, Ghalib, of Mir's poetry's state?
Whose divan is no less than Kashmir's garden.
Ghalib, this is my creed, as per Nasikh's words:
"He is deprived who is not a devotee of Mir."
This ghazal by Mirza Ghalib exemplifies the rich tradition of classical Urdu poetry, blending themes of passionate longing, the embrace of suffering on the arduous path of love, and philosophical introspection with a profound acknowledgment of poetic heritage. The recurring motif of the 'desert' (dasht) symbolizes the challenging and often painful journey of a lover or seeker, while the poet finds a peculiar pleasure in this suffering. Crucially, the poem culminates in a direct and heartfelt tribute from Ghalib to his revered predecessor, Mir Taqi Mir, whom he elevates to the highest pedestal, equating his divan (collected works) to a 'Kashmir garden' and affirming the widely held belief (attributed to Nasikh) that one is 'unfortunate' for not appreciating Mir. This illustrates the deep reverence and intertextual dialogue among masters within the Urdu ghazal tradition.
love & longing (ishq, judāī) · defiance · wit & rebuke